Jenny Holzer’s J’ai vu Opens at the Musée d’Orsay
Jenny Holzer opens J’ai vu today at the Paris Musée d’Orsay, placing archive texts in light, stone, and metal leaf.
Jenny Holzer opens J’ai vu today at the Paris Musée d’Orsay, placing archive texts in light, stone, and metal leaf.
SuperRare this morning opens sinusoidalsnail’s sixty-four unique looping GIFs drawn from early computing screens punch cards and analog vacuum tubes.
The first Caen Tattoo Festival opens Friday at Parc Expo with published hours, tickets, and more than four hundred artists.
Jenny Holzer opens J’ai vu today at the Paris Musée d’Orsay, placing archive texts in light, stone, and metal leaf.
After Frieze London closed Sunday, Parker Ito’s NFT-linked paintings and gallium sculpture remain on view at Rose Easton through December.
Villain Arts closed its New Orleans tattoo festival Sunday at the Morial Convention Center after three days of live tattooing.
Sarasota Art Museum opened three exhibitions Sunday, pairing a traveling photography survey with painting and an interactive installation through April.
The V&A opened a free Vera Molnar generative display that hangs Matt DesLauriers’ Art Blocks Meridian beside historic plotter drawings.
The second Luxembourg Tattoo Convention closes today at Luxexpo The Box after three days and more than 350 exhibitors present.
Paris’s new Large art center opened Saturday on Île Seguin with Cecilia Alemani’s Imaginary Engine pairing Renault works and commissions.
Art Blocks published its sixth annual Marfa Weekend schedule covering four full days of onchain generative art with museum partners.
The fourteenth annual Tommy’s Tattoo Convention opens this Friday at Mohegan Sun Expo Center with hundreds of tattoo artists attending.
The San Francisco Museum of Modern Art sold out RM’s Korean art collection opening weekend after fifty thousand ticket reservations.
Jenny Holzer opens J’ai vu today at the Paris Musée d’Orsay, placing archive texts in light, stone, and metal leaf.
Sarasota Art Museum opened three exhibitions Sunday, pairing a traveling photography survey with painting and an interactive installation through April.
Paris’s new Large art center opened Saturday on Île Seguin with Cecilia Alemani’s Imaginary Engine pairing Renault works and commissions.
The San Francisco Museum of Modern Art sold out RM’s Korean art collection opening weekend after fifty thousand ticket reservations.
Collezione Casamonti opens Palazzo San Giorgio today, a new Florence venue showing about two hundred fifty works in twenty-eight rooms.
MoMA opens Full Disclosure today, its first information-design exhibition, with thirty works in a free street-level Midtown New York gallery.
The Louvre Islamic art masterpieces open today at the Smithsonian National Museum of Asian Art for their only American stop.
Fondation Beyeler opens Peter Zumthor’s three new Riehen buildings tomorrow, with limited access before the January 2027 full public opening.
Palazzo Strozzi opens Broken tomorrow in Florence as one major sculptural fragment survey organized with Washington’s National Gallery of Art.
The Paris Grand Palais opens Cezanne and Us today, pairing about seventy Cezanne works with later painters through January 2027.
MoMA opens Taking Back Our Space, pairing Marianne Wex with seven contemporary photographers in the Sachs Galleries through May 2027.
Hammer Museum opens Huguette Caland’s United States premiere Sunday, a free Los Angeles survey of about one hundred fifty works.
Cleveland Museum of Art opens Spectacular Freedom today, a ticketed survey of nearly seventy-five Andrew Wyeth estate watercolors through January.
Washington’s Middle East Institute opened El Marsam Friday, a rare U.S. survey of modern and contemporary Egyptian art.
Much Here Is Beautiful unites 225 photographs from NEA Bicentennial surveys at SAAM from Sept. 18, 2026, through April 18, 2027, with a free opening-day open house.
David Kordansky Gallery presents Sonnier’s early neon and argon experiments from 1968–1970 in Los Angeles through October 24, opening tonight.
Seventeen artists and researchers examine generative infrastructures and hallucinations at UC Berkeley’s Worth Ryder Art Gallery through October 3.
Justin Aversano’s Fondazione Aversano will fund up to $1,000 each for 50 U.S. artists, starting with an Anne Spalter acquisition.
Curated by Atay Ilgun and Jonathan Carmel, SuperRare’s ./spiral gathered eleven AI and generative artists at Fondazione Aversano Sept. 3–10.
The 34th Tattoo Convention Berlin runs Sept. 18–20 at ARENA Berlin with 300-plus artists, contests, Badeschiff access, and partner art shows.



































