Editor's PickExhibitionsLatest NewsTrending

Nan Goldin Exhibition Spotlights Intimate Works Still Available

In a landmark moment for contemporary photography, Nan Goldin’s powerful retrospective “This Will Not End Well” opened today at the Grand Palais in Paris, running through June 21, 2026. The exhibition reimagines Goldin as a filmmaker, presenting six major immersive slideshow and video works spanning five decades of her raw, unflinching exploration of intimacy, identity, trauma, and ecstasy.

While the show is primarily museum-focused and retrospective in nature, select editioned photographs and related works from Goldin’s iconic series remain available for acquisition through galleries and the artist’s representatives. Collectors can pursue pieces that echo the exhibition’s themes of personal vulnerability and human connection.

One standout is an editioned print from “The Ballad of Sexual Dependency” (1981–2022), Goldin’s seminal slideshow-turned-photobook project capturing friends, lovers, and nightlife in candid, emotional snapshots. These photographic works, often printed in limited editions, continue to circulate in the market and embody the exhibition’s core of lived experience and relational bonds.

A man and woman sit back to back on a bed in a dimly lit room, expressing emotional distance. The woman appears contemplative, resting her head on her hand, while the man looks away. A photograph of a man hangs on the wall in the background.

Another available work draws from “The Other Side” (1992–2021), a tribute to Goldin’s trans community photographed over decades. Editioned images from this series, highlighting portraits of resilience and self-expression, are offered through select dealers, allowing collectors to own tangible pieces from the immersive narrative on view.

Four individuals dressed in glamorous attire sitting at a bar, showcasing fashion styles including a sequined dress and pink skirts, with a bartender in the background.

Finally, prints related to “Sisters, Saints, Sibyls” (2004–2022) explore family trauma, suicide, and survival. These poignant, limited-edition photographs remain purchasable, providing a direct link to the exhibition’s testament to personal and collective healing.

Three large screens displaying photos: one of a man relaxing in the water, another of a child running on the beach, and a third of a child playfully hugging an adult outdoors.

Goldin’s exhibition arrives at a time when her activism—particularly around opioid crisis awareness—resonates deeply, making these available works not just art but statements. The show invites viewers into Goldin’s world, and for those moved to acquire, select pieces extend that intimacy beyond the gallery walls.

Darren Smith

Darren Smith is an art journalist at ArtChain News, covering traditional art, NFTs, and digital collectibles with objective insight. A 26-year practicing artist and tattooist, he blends hands-on expertise with deep historical knowledge for authentic, fact-based reporting on both classical and blockchain art worlds.

Darren Smith

Leave a Reply

Discover more from ArtChain

Subscribe now to keep reading and get access to the full archive.

Continue reading